
Editor’s note: Andi Osmeña DJs under the moniker baby ikea. They have performed live and online for transit records, Manila Community Radio, and wherever queer people are.
When I was a kid, all I wanted was to be Myrene Academia. She had a silent swagger to her that became the epitome of cool to my little introverted self. She is my Sandwich bias to this day — which is why I spent most of my childhood daydreaming about being a girl in a band.
I didn’t grow up to become a rock star, but watching Filipino women in music continues to change my life. Here’s a look into a few releases — new and old – that were either formative to me, or have provided a hopeful glimpse into the future.
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“Rave Garden” by T33G33 (2022)
I’ve been watching Aly Cabral play music under a number of acts and monikers for a few years now, most recently under the DJ name T33G33. Sometimes I’d find myself deep in the throes of her playful and progressive sets needing to remind myself that she also wrote a whole bunch of the Ourselves the Elves album “Self is Universe.” This isn’t to say her best work is behind her, T33G33’s latest forays into techno is some of her most exciting music yet.
In “Rave Garden,” complex layers of rhythm unfold over humming sounds of nature as Cabral imagines the dance floor as a utopia free from oppression. A reminder that raves are, in fact, something so spiritual. It’s over eight minutes long, and the vocals only come in much later in the song. A real trip.
The track is available on the newest Sounds Nais compilation on Bandcamp.
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“Ano Na Plano Mo?” (Prod. Inkyu Demon) by switchbitch (2022)
I think this is the hardest drum programming I’ve heard in a long time: fiesta breaks that perfectly complement switchbitch’s rapid-pace delivery in what is probably the duo’s best track so far. This Inkyu Demon linkup bemoans the horrors of late stage capitalism and general hardship of young adulthood. A sentiment I can always get behind. The highlight verse: “Graduated, / year was fucking twenty nineteen / Head filled with all them useless wants and hopes and dreams / Teka 2022 na, / anong napala na, / naging fan ng LOONA, / yun lang ba?”
“Ano Na Plano Mo?” is available for purchase on Bandcamp.
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There’s definitely some filler on this album, but still grateful for its entire existence nonetheless.
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So when I heard that the band released a new album in March, it felt like a special birthday/women’s month gift from the heavens. Their new release offers similar sounds and progressions as their breakout EP in a way that feels like the expansion of an already-familiar world. It’s like a robust B-Side to “Unexpectedly.” And you can’t blame them for the nostalgia, they make shoegaze after all.
Bonus: Their cover of “Crimson and Clover” is my absolute favorite rendition of the song.
You can buy Megumi Acorda’s latest album on their Bandcamp page.
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This track is an epic clash between Caliph8 and Calma. Strong production. Stronger vocals. It’s dripping with the Utada Hikaru blueprint. Also worth noting: this music video! The wardrobe, the martial arts choreography, the Final Fantasy of it all. It’s just ambitious enough that it works.
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